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Joan Sommers has directed the world famous University
of Missouri-Kansas City (UMKC) Accordion Orchestra since it formed almost 50 years ago, when she established the accordion program at UMKC in
1961.
During its long history, the UMKC Accordion Orchestra has won many national
titles in the USA, and toured to such places as Germany, Switzerland,
Austria, England, Scotland, Sweden, Denmark, Russia, Estonia, New Zealand,
Australia, Hungary, Czech Republic and Italy.
The
orchestra presents regular concerts at the University and has made guest
appearances at national festivals and other important engagements throughout
the United States.
Highlights include appearances with the Kansas City Symphony, the Kansas
City Civic Symphony Orchestra, and at the American Accordionists Association,
the Accordionists and Teachers Guild, International, and the Accordion
Federation of North America Annual Festivals.
Concert
repertoire includes original accordion orchestra music, orchestral transcriptions,
Broadway Music, Jazz and popular favorites.
The UMKC Accordion Orchestra members consist of UMKC students, graduates,
alumni and special guests who accompany the orchestra when on tour.
The
Annual Spring Concert of the UMKC Accordion Orchestra on April 29th,
2001 marked the 40th Anniversary of the UMKC Accordion Orchestra which
gave its first University Recital in the Spring of 1961.
This landmark concert also marked the retirement of Joan Sommers
from the Conservatory therefore making this concert the last official
concert of the UMKC Accordion Orchestra.
The orchestra continues
to rehearse and perform at the University, however, it is now called
the UMKC Community Accordion Orchestra.
In conjunction with this 40th Anniversary Concert, the UMKC Accordion
Orchestra released a set of six CD's highlighting the 40 years of accordion
greatness.
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The
40th Anniversary Program -
29 April, 2001
UMKC
Accordion Orchestra, Joan C. Sommers, Director
Lidia
Kaminska, Shanxi Upsdell, Robbie Overton, Edwin J. Cole, Erica
Van de Voort,
Sherri Delmont, Betty Jo Simon,
Megumi Miyata, Gail Overly,
Sherri Carroll,
Jennifer Thompson, Trish Benedict, Kevin Friedrich, Sam McGhee,
Jocelyn (Joy) Grooms, Christine Jarquio, Catherine Sommers,
Cathy Weiss,
Jason Stephen, Dee Sligar, Joyce Davis, Phillip Hodges, Dan
McGhee,
Amy Hayes,
Liz Stephens, Tom Kernan, Christian Lowsley.
- Lawrence
of Arabia - Maurice Jarre
- The Stars
and Stripes Forever March - John Philip Sousa
UMKC
Accordion Orchestra, Joan C. Sommers - Director,
along with formerUMKC Accordion Orchestra Members
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The UMKC Community Accordion Orchestra performed at the 100th Anniversary
Celebrations of the UMKC Conservatory of Music and in 2007 at the 60th
Anniversary Coupe Mondiale in Washington DC, where they performed at both
the festival headquarters Hotel and also at the famed Kennedy Center for
the Performing Arts.
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Joan
Sommers is sought after as a performer,
conductor, clinician, adjudicator and musical director for major accordion
festivals throughout the world, such as those in China, Poland, Norway,
Europe, New Zealand and Australia.
Joan is the immediate
Past President of the Accordionists
and Teachers Guild, International, marking the third time she has
led this esteemed International organization which is affilitaed with
the International Music Council (IMC) - UNESCO.
Internationally, Joan is the Vice President of the Music Committee of
the Confederation
Internationale des Accordeonistes, at which she also serves as an
jury member on many occasions.
Joan
earned the right to represent the USA in the Coupe Mondiale in both
1955 and 1956, which undoubtedly developed her interest in worldwide
accordion activities. Joan
has since been honored numerous times by both national and international
accordion organizations, as well as other musical organizations for
her ongoing dedication and contributions to the field of music.
As a performer, she uses the piano accordion, but she teaches all types
of systems. Her students play both chromatic and keyboard instruments
with various configurations.
Her students have won
numerous top awards, including the United States Championship Competitions
and have been candidates to the Coupe Mondiale World Accordion Championships
on many different occasions over a long period of time. Some of the
most outstanding accordion professionals, both men and women, have been
her students and have earned music degrees at the UMKC Conservatory
of Music. |
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| I.
ALLEGRO |
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| 01 |
An American in
Paris, George Gershwin |
| 02 |
March of the Boyars,
Johan Halvorsen |
| 03 |
Dance of the Clowns,
N. Rimsky-Korsakov |
| 04 |
Zar und Zimmermann
Overture, Albert Lortzing |
| 05 |
Solińa, Jeff Lisenby |
| 06 |
Syncopated Clock,
Leroy Anderson |
| 07 |
Spanish Dance,
No. 1, Manuel de Falla |
| 08 |
A Portrait, R.
Rodgers & O. Hammerstein |
| 09-11 |
Evocations for
Accordion Orchestra/Percussion, Jindrich Feld |
| 12-17 |
Die Galerie (The
Picture Gallery), Heinz Ehme |
| 18 |
Dance of the Comedians,
Bedrich Smetana |
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| II.
VIVACE |
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| 01 |
Capriccio Espagnol
(Excerpts), N. Rimsky-Korsakov |
| 02 |
Novitango, Astor
Piazzolla |
| 03 |
Perpetual Motion,
J. Strauss, Jr. |
| 04 |
Miss Saigon Medley,
Claude-Michel Schönberg |
| 05-06 |
Prelude and Fugue
in G, BWV 541, J.S. Bach |
| 07 |
Rhapsodie Andalusia
(Spanish Impressions), Adolf Götz |
| 08 |
Nocturne, Alexander
Borodin |
| 09 |
Granada Fantasia
Espanola, Augustin Lara |
| 10 |
MUSIC, John Miles |
| 11 |
Fiddler on the
Roof Medley, J. Bock & S Harnick |
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| III.
FORTISSIMO |
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| 01 |
Medley, George
Gershwin |
| 02 |
Danse, Claude Debussy |
| 03 |
West Side Story
Medley, Leonard Bernstein |
| 04 |
Inmortal, In memory
of Astor Piazzolla, Hans Boll |
| 05 |
Zirkus Zirkus,
Adolf Götz |
| 06 |
Two Roumanian Dances,
Béla Bartók |
| 07 |
Beautiful Galatea
Overture, Franz von Suppé |
| 08 |
Hungarian Rhapsody
No. 2, Franz Liszt |
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| IV.
CAPRICCIO |
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| 01 |
Ouverture Furiant,
Adolf Götz |
| 02 |
Tribute to "The
Duke", Arr. E. Finch |
| 03 |
Sunset Boulevard,
Hans-Gunther Kölz |
| 04 |
Romantische Festouverture,
Heinz Ehme |
| 05 |
Lesginka from Gayane
Ballet, Aram Khachaturian |
| 06 |
Habanera from Die
Kanonade, Eduardas Balsys |
| 07 |
Kynaston, John
Franceschina |
| 08 |
Carnival, Amy Jo
Sawyer |
| 09 |
Tema Russo from
Serenade for Strings, P. Tschaikovsky |
| 10 |
The Lord of the
Dance, Ronan Padraig Hardiman |
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| V.
PASTICCIO |
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| 01 |
Werziade, Fritz
Dobler |
| 02 |
Medley from "E.T.",
The Extra-Terrestrial, John Williams |
| 03 |
Fantasia Iberica,
Gerhard Mohr |
| 04 |
Porgy and Bess
Concert Suite, George Gershwin |
| 05 |
Aida (Ballet and
Chorus), Giuseppe Verdi |
| 06 |
Mississippi Suite,
Ferde Grofé |
| 07 |
Overture to William
Tell, G. Rossini |
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| VI.
MAESTOSO |
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| 01 |
Sinfonisches Suite
(Allegro con brio), Wolfgang Jacobi |
| 02 |
March in Bb, Op.
99, Sergei Prokofiev |
| 03 |
The Moldau Symphonic
Poem, Bedrich Smetana |
| 04 |
Burleske, Ludwig
Kletsch |
| 05 |
Balkan Impressions,
Gerhard Mohr |
| 06 |
Opus 5-6-4, Amy
Jo Sawyer |
| 07 |
Procession of the
Sardar, Michail Ippolitov-Ivanov |
| 08 |
Les Filles de Cadiz,
Delibes |
| 09 |
I Could Have Danced
All Night, Lerner & Loewe |
| 10 |
Capriccio Italien,
Op. 45, P. Tchaikovsky |
| 11-12 |
Suite for Accordion
Orchestra, Rudolf Bruci |
| 13 |
La Gazza Ladra
Overture, G. Rossini |
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Joan C. Sommers,
Director
UMKC Community Accordion Orchestra
2312 West 71 Terrace
Prairie Village, KS 66208-3322
USA
Phone: (913) 722-5625
E-Mail: joansommers@kc.rr.com |
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