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Intervista: Presidente della CIA Mirco Patarini sulla Coupe Mondiale 2020 - Portogalloby Harley Jones |
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![]() L'evento sarà ospitato dal membro della CIA Mito Algarvio - Associação de Acordeonistas do Algarve dal 6 al 10 ottobre 2020 a Castro Marim, in Portogallo, e offrirà un montepremi di 20.000 euro. I conduttori dell'intervista sono l'ambasciatore della CIA Kevin Friedrich e il vicepresidente del comitato musicale della CIA Grayson Masefield. Guarda l'intervista su questo emozionante grande evento imminente. |
Sistema di iscrizione online Coupe Mondiale 2020 - Portogalloby Kevin Friedrich, CIA Ambassador |
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![]() ![]() Il segretario generale Kimmo Mattila invita tutti (44) i membri della CIA a registrare i delegati al 144° Congresso Internazionale dei Delegati che si riunisce due volte a Castro Marim. La 73a Coupe Mondiale sarà ospitata dal membro della CIA Mito Algarvio - Associação de Acordeonistas do Algarve guidato dal presidente João Pereira dal 6 al 10 ottobre 2020. Il presidente della CIA Mirco Patarini invita i concorrenti di tutte le nazioni a presentare le loro candidature e ha elogiato i funzionari di Castro Marim e il presidente João Pereira di Mito Algarvio per la loro assistenza. Il festival presenterà i concorsi come segue: • 73a Coupe Mondiale • Masters Coupe Mondiale • Junior Coupe Mondiale • Concorso Internazionale per Virtuoso Entertainment Music • Concorso Internazionale Junior per Virtuoso Entertainment Music A causa delle norme di sicurezza Covid-19, non si terranno categorie di ensemble o World Accordion Orchestra. Nella foto sotto è raffigurata la Biblioteca Castro Marim, una piccola sede con un'eccellente affidabilità, dove si terranno le categorie del concorso. La data di chiusura delle iscrizioni è il 5 settembre 2020 e tutte le informazioni riguardo l’iscrizione e l’alloggio sono online su: Coupe Mondiale |
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6° Giornate Internazionali della Fisarmonica a Praga 2020 - Repubblica cecaby Christine Johnstone |
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Le 6° Giornate internazionali della fisarmonica a Praga 2020 si terranno dal 29 ottobre al 1° novembre 2020 presso il Conservatorio di Praga a Praga, Repubblica Ceca. Il concorso è organizzato dal "Club Tours Agentur Praha" (CTA Praga) in collaborazione con la Czech Accordion Association e il dipartimento di fisarmonica del Conservatorio di Praga. L'obiettivo principale dell'evento è quello di mantenere e sviluppare una forte tradizione di fisarmonica nella Repubblica Ceca, basandosi sul festival europeo delle orchestre di fisarmoniche a Praga. Il concerto di apertura con partecipazione internazionale si svolgerà il 29 ottobre dalle 20:00 nella sala del Museo di arti applicate. Le gare junior inizieranno il giorno seguente (30 ottobre), seguite da un concerto di gala serale con esibizioni del trio Vibrafonissimo (che comprende il fisarmonicista Ladislav Horak) e la Finnish Sibelius Orchestra. Sabato 31 ottobre si terranno delle lezioni per senior e orchestre, che si concluderanno con un concerto dei vincitori alle 20.30. Oltre 250 fisarmonicisti dovrebbero prendere parte a questo evento, che è gratuito per gli spettatori. La data di chiusura per le iscrizioni è: 23 settembre 2020 Scarica le regole del concorso: 2020Prague.pdf Per ulteriori dettagli scrivere a: cta@iol.cz |
Tag Der Harmonika 2021 a Perg - Austriaby Werner Weibert |
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Il concorso Tag Der Harmonika 2021 si terrà a Perg, in Austria, dal 3 al 6 giugno 2021, organizzato da HVO - Harmonica Verband Osterreichs (Associazione Armonica Austriaca). Il concorso includerà categorie per solisti, duo, ensemble e orchestre, nonché lezioni di musica di intrattenimento, musica da camera e world music. Le categorie di età vanno dai 6 anni agli adulti (massimo 32 anni). Quest'anno ci sarà una nuova categoria: il premio Ciryll Demian per i candidati stranieri! Le regole di concorrenza saranno online all'inizio di ottobre 2020 e l’apertura delle iscrizioni è prevista per gennaio 2021. Per ulteriori dettagli scrivere a: w.weibert@kabsi.at |
Presentazione Online di William Schimmel Master Class e Serie di Concerti 2020 - USAby Christine Johnstone |
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![]() Per la prima volta, questo evento sarà presentato online e sarà composto da 2 segmenti di un'ora ogni giorno: 1a ora (15:00): Master Class - Colloqui/Workshop 2a ora (16:00): Concerto/Spettacoli. Ci sono ancora alcuni posti disponibili per questa presentazione. Scarica il volantino: 2020AAAMasterClass.pdf Acquista i tuoi biglietti online su: AAA Shopping Cart |
Reports for Concerts, Masterclasses, Competitions, Festivals, etc. |
by Ulrich Schmülling
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![]() ![]() After Carl Friedrich Uhlig (1790–1874) developed the first German Concertina in Chemnitz in 1834, it was Carl Friedrich Zimmermann (1817–1898) who started producing German Concertinas in the attic of his parents’ house in Carlsfeld around 1840, further developed them and some few years later invented an instrument that later became known and sold worldwide under the name “Bandonion.” This is a fact about which there is no doubt in the general public as well as among experts and which has been historically proven. Until recently! A specialist book, which has been available on the German market since May 15, 2020, states with remarkable explicitness that Krefeld merchant Heinrich Band (1821–1860) invented the bandonion and subsequently makes the city of Krefeld the instrument’s birthplace. Under the title “Heinrich Band. Bandoneon” (subtitle: “Die Reise eines Instruments aus dem niederrheinischen Krefeld in die Welt” [The journey of an instrument from Krefeld, Lower Rhine, into the world]), it is both the “Förderverein für das Kulturbüro der Stadt Krefeld e.V.” [Sponsoring Society for the Cultural Office of the Krefeld] as editor and Janine Krüger as author who propagate this in a colorful and lavishly produced book. The book was published by Klartext Verlag, Essen, and financially opulently supported by “Sparkassen Kulturstiftung Krefeld,” [the savings bank cultural foundation] “Stadt Krefeld,” [City of Krefeld] the “Kunst Stiftung NRW” [Art Foundation North Rhine-Westphalia] and the “Kulturbüro Krefeld” [Cultural Office of Krefeld] as well as the “Förderverein für das Kulturbüro der Stadt Krefeld e.V.” (the association is at the same time the editor and financial supporter itself); further backed by Klaus Kokol (Krefeld city council member, deputy Social Democratic Party of Germany parliamentary group leader, director of the legal department) and Jürgen Sauerland-Freer (former head of Krefeld’s culture department and predecessor of Dr. Gabriele König). According to the masthead (title information), besides the editor and author is an editorial staff, which includes Prof. Gerhard Hahn (an engineer, sculptor and designer based in Krefeld), Dr. Gabriele König (head of Krefeld’s Culture Department as well as head of the city’s Culture Office) and Burkhard Ostrowski (Krefeld culture office employee). Thus, there is a concentrated municipal energy in the background. The fact that local patriotism and cultural enthusiasm for the city go so far that music history is “bent” in order to attract even more public attention and publicity, is not only outlandish but also reprehensible. But above all, it is completely unnecessary. To be sure, the name “bandonion” actually derives from the Krefeld family name of Heinrich Band. But apart from the fact that this instrument name did not originate from Band himself, but from a third party, Band has demonstrably never been an instrument manufacturer, but no more and no less was one of several music dealers who bought various instruments from different manufacturers and sold them to their customers. The relevant professional music circles stood on their heads by this snubbing presumption, especially inasmuch as the editors and local politicians not only leave it misrepresented in their book, but use all available types of media exploitation (advertising videos, launched newspaper releases, internet articles, radio reports, etc.) to pursue their historical fact suppression bluntly and widely. It is to be hoped that this does not result in what is widespread in today’s society, namely that untruth becomes truth if it is repeated only loudly and often enough. Heinrich Band. Bandoneon (“Förderverein für das Kulturbüro der Stadt Krefeld e.V.” as editor and Janine Krüger as author), in German language only. ISBN 978-3-8375-1970-9 - format 23 x 23 cm - 368 pages - four-color throughout with numerous photos and illustrations - hardcover, thread stitching - price 29.95 euros - circulation: 700 copies. Ulrich Schmülling, July 15th 2020 (picture above) Translation: Willoughby Ann Walshe (picture above) Excerpt from Research by Norbert Seidel about Invention of Bandoneon in German Article about: Willoughby Ann Walshe 80th Birthday, Kamen - Germany http://www.accordions.com/news.aspx?d=21-Apr-2017&lang=en#art12985 |
by Rob Howard
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![]() ![]() The album begins with very easy melodies, offering easy and original accompaniments for the left hand. This is an eBook, sent to you by email with no postal costs, arriving in your inbox within 24 hours. Catalog: rrenzo512 |
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by Dan Grauman
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Notes by Joan C. Sommers (July 23, 2020) Some remarks regarding the performance of the World Accordion Orchestra VIII and the performance of “Let There Be Peace on Earth.” It is bound to give all of us, throughout the world, something to cheer about after suffering the effects of the Covid-19 virus and to give us hope that before too long we will once again be back to a more normal routine in our lives. The Coupe Mondiale of October 24th to November 3rd, 2014, sponsored by the Confédération Internationale des Accordéonistes, was held in the beautiful Salzburg, Austria Congress Center. The World Accordion Orchestra VIII performed as part of the final closing concert held on the large stage of the magnificent Europa Hall in the Congress Center. Werner Weibert conducted his arrangement of A Tribute to Leonard Bernstein and Jacob Noordzij conducted A Medley from The Sound of Music. A large mixed chorus then joined the orchestra of 130 members from many different countries to perform “Let There Be Peace on Earth” arranged and conducted by Joan Cochran Sommers to close the concert. Video: Thanks to Dan Grauman for providing the video |
by Christine Johnstone
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![]() The short video above gives an insight on Mr Mornet's teaching to 10 year old Futa (from Japan), who came to the CNIMA for a custom made 2 month training program to prepare for the Klingenthal accordion championships. In addition to the training of tomorrow's great accordionists, the CNIMA welcomes accordionists of all levels and all ages. Several training formats are available: - Full time training (with the passing of conservatory diplomas in accelerating mode if required) - Custom length training from a few weeks to a few months (on location or via skype) - Workshops (on location or via skype) The warm family like spirit and the beautiful surroundings of Auvergne, are favourable for intense studies. Upcoming classes include Accordion technique with Jacques Mornet and Nathalie Boucheix July 27th - August 1st 2020 August 3rd – 8th 2020 For further details email: cnima@orange.fr |
Future events |
by Lionel Reekie
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![]() ![]() The competitions will be adjudicated by an international jury and the rules and categories are on the AATA website. Entry closing date is Friday 13th August 2020. |
by Christine Johnstone
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![]() ![]() The classes will begin on July 27th at 9pm (ET) and will include a 20 minute session on the variation of the standard repertoire for intermediate to advanced bandoneon players. Videos of the class will be available along with questions and answers with Hector. For details email: stowetangomusicfestival@gmail.com |
by Christine Johnstone
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![]() The 2020 Virtual Musikfest will be held online from July 31st to August 9th, 2020 and will include 40 all new, exclusive concerts. Alex Meixner will participate in both the recorded video portion of the 2020 virtual Musikfest and also a full band performance that will be broadcast live on August 8th on Service Electric TV from 2.30pm to 4pm. Alex will also give a solo video performance which will be shown during the fest at a date still to be announced. For details email: info@alexmeixner.com |
by Christine Johnstone
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The 24th Revival Fisarmoniche (accordion) festival will be held in Monghidoro, Bologna, Italy on August 6th at 8.30pm. Social distancing will be in place. See poster for details |
by Christine Johnstone
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![]() ![]() The festival will include a variety of performances, workshops, cooking shows, cultural shows and some special surprises! “Screaming Orphans” (Ireland – picture below) a band of 4 sisters including accordionist Marie Thérèse Diver will entertain at the event. The festival will also include a series of online workshops from August 8th to 11th, 2020. August 9th at 11.30am – Concertina masterclass with Caitlin Nic Gabhann (picture above left) August 9th at 2.30pm – Accordion Masterclass with John Whelan (picture above right) |
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by Christine Johnstone
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Accordionist Marie-Andrée Joerger will perform two duo concerts in August with Vincent Dubois (organ) who is the official organist of the Notre Dame Cathedral in Paris. The first will be held on August 16th in Vaison-la-Romaine and the 2nd will be held on August 27th as part of the Stras'orgues Festival in Strasbourg. Their program will include works by Bach, Fauré and Galliano. For details email: marieandree84@live.fr Photo below: Marie-Andrée Joerger (left) & Vincent Dubois (right). |
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by Rob Howard
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![]() This weekend gives advanced participants the opportunity to play a bit faster, perhaps look at some advanced left hand patterns, discuss bellows techniques, the use of chords to enhance tunes etc. For details email: ianlowthian@yahoo.co.uk |
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