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Categories of Examinations. There are three categories of examination:
A.
Accordion Playing- Solo |
D.
Accordion Playing –Duet |
T.
Theory of Music |
Categories A and T are in eight grades (plus a Preliminary Grade), and Category B in five grades, as follows:
Category
A - Solo |
Category
D - Duet |
Category
T - Music Theory |
Grade Pre |
Preliminary |
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Grade Pre |
Preliminary |
Grade 1 |
Primary |
Grade 1 |
Primary |
Grade 1 |
Primary |
Grade 2 |
Secondary |
Grade 2 |
Secondary |
Grade 2 |
Secondary |
Grade 3 |
Elementary |
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Grade 3 |
Elementary |
Grade 4 |
Transitional |
Grade 4 |
Transitional |
Grade 4 |
Transitional |
Grade 5 |
Intermediate |
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Grade 5 |
Intermediate |
Grade 6 |
Senior |
Grade 6 |
Senior |
Grade 6 |
Senior |
Grade 7 |
Advanced |
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Grade 7 |
Advanced |
Grade 8 |
Final |
Grade 8 |
Final |
Grade 8 |
Final |
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Qualifications to Category A - Solo Examinations:
Grades Pr, 1, 2, 3, 4, 5: No entry qualification.
Grade 6: To be awarded the grade a “pass” in Theory of Music Grade 5 (BCA only)
Grade 7 & 8: To be awarded the grade a “pass” in Theory of Music Grade 6 (BCA only)
In every case a “Pass” in a higher BCA
Theoretical Examination grade than that specified
will be accepted.
Qualifications to Category D - Duet and Category
T - Theory of Music Examinations:
No entry qualification is required. Candidates may
enter these categories without previously having passed
any other examination.
Entry. Examination entries will only
be accepted in accordance with these Regulations,
and on the understanding that in all matters the decision
of the Governing Council is final. The Governing Council
reserves the right to refuse or cancel the entry of
any candidate, in which case the entry-fee will be
refunded. There is no age limit for grade examinations.
Entry Forms. Entry for any examination
must be made on the official Examination Entry Form.
The Entry Forms must be completed and sent, together
with the appropriate fee, direct to the College. Entry
Forms are obtainable from the College. The Fees are
as per current Entry Form, and should be remitted
by cheque or Bank Transfer, made payable to “British College
of Accordionists”. .
Closing Dates for Entry. All
Entry Forms must reach the College at least FIVE
WEEKS before the advertised date of examination.
Late Entries. Late Entries
will be accepted up to FOUR WEEKS before the advertised date of the examination, on
payment of a Late Entry Fee.
Examination Appointments. A
Notification Card with details of the examination
date, time and place will be sent . This card must be produced at
the examination:
Absence. Candidates who do not present
themselves for examinations at the appointed times
will automatically forfeit the Examination Fee. In
the case of illness a doctor’s certificate must
be forwarded to the College within TWO WEEKS.
The candidate may re-enter for the same examination within twelve
months on payment of a Re-Registration Fee.
Re-Registration. Any candidate may
re-register by payment of the Re-Registration Fee
because of illness or incapacitation or withdrawal
. When applying for Re-Registration a new entry
form must be submitted.
Examination. Every candidate must
be prepared to carry out ALL the
requirements contained in the syllabus for the examination
for which he or she has been entered. The examiner
is empowered to ask any reasonable questions bearing
on the subject of the examination, and may also stop
the performance of any item when sufficient has been
heard on which to judge the candidate’s ability.
Marks. The total mark
obtainable is 100. 70% of this total is required
to Pass, 80% to pass with Merit, and 90% to pass with
Distinction. Certificates specifying the grade and
manner of passing will be awarded to all successful
candidates.
Report and Mark Sheets. As soon as
possible following the examination, a report and mark
sheet - with the examiners remarks (of which no duplicate
is retained by the college) and the marks obtained,
will be sent to the person indicated on the appropriate
section on the Entry Form. The college cannot accept
any responsibility for the non-receipts of any reports
or mark sheets after their dispatch. On application,
the detailed marks (but NOT the examiners remarks)
can where necessary be re-issued by the college.
Disability or learning difficulty. If
a candidate has a physical disability which requires
some modification of performing technique or a learning
difficulty such as dyslexia, a letter should be attached
to the entry form so that the examiner may be advised.
It should be understood, however, that although the
examiner will be sympathetic to the candidate, no
special allowance in marking will be made and the
candidate’s performance will be judged according
to the standard normally expected for the grade.
EQUAL OPPORTUNITIES. The BCA is committed
to providing equality of opportunity and treatment
for all, and will not unfairly discriminate directly
or indirectly on the basis of age, ethnic origin,
gender or disability in all matters.
CHILD PROTECTION. As many of
the Candidates for the BCA examinations are children,
the BCA accepts it has a responsibility for the welfare
and safety of children undertaking its examinations,
or otherwise under its temporary care. All persons
working on behalf of the BCA are required to accept
this responsibility and are committed to practises
which protect children from harm.
N.B. Teachers and candidates are reminded
that the Copyright Act 1988 forbids the making or
use of photo-copies or manuscript copies of Copyright
Works, and that all College Examination Representatives
are under explicit instruction to debar all such copies
from entering the examination Room, in order to protect
themselves, the Examiner and the College from possible
prosecution as Accessories to an infringement of the
above Act.
Category A - Solo
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Additional Regulations
Scales and Arpeggios
A musical performance of scales is required. To be played from memory in all grades.
Touch : See appropriate Grade.
Bellows Control: Each scale or arpeggio should be played ascending with the bellows opening and descending with the bellows closing.
Tempo: The metronome - mark indicated is the approximate tempo acceptable for each particular grade.
Pieces:
The pieces contained in the syllabus for the grade are the only pieces accepted for the examination. Repeats are not required unless they are essential to the form of the pieces.
An alternative piece/s maybe used if submitted at the time of Entry and approved by the Board of Administration.
Playing at Sight:
During the short preparation time you may try out parts or sections of the test. Blind candidates should request special tests in lieu of sight-playing at the time of submitting entry. These tests will require them to repeat on the instrument short passages appropriate to the grade, played twice by the examiner. Large print versions of tests can be made available for partially- sighted candidates if requested at time of submitting entry.
Aural Tests:
These may be played by the examiner on the Accordion, Piano or Keyboard. Deaf and hearing impaired candidates may opt to respond to special tests in place of the standard aural tests if a written request is made at the time of submitting entry.
N.B. A 48 bass accordion with 26 or less piano-keys is regarded as unsuitable for Examinations beyond Grade 2. A 72 bass accordion with 34 piano-keys is regarded as unsuitable for Examinations beyond Grade 5. |
Scales and Arpeggios. (5 marks)
To play on the treble keyboard, the major scales of C and
G one octave ascending and descending. (approx.
tempo MM=50, two notes per beat). Touch Legato.
Pieces (25 marks)
Candidates must select ONE set of exercises and TWO pieces from the following list.
The pieces should have different Time Signatures .
Exercises |
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Any two right hand studies from p3 and No 4 & 5, p5 (Left hand) |
F Wright |
Charnwood |
Eight Studies for the Beginner Accordionist (Nos 1, 2, 3 & 4) |
R Wright |
Charnwood |
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Pieces |
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Ally the Alligator - Animal Farm (either version) * |
G Laurie |
Musical Pages |
Cleo the Cat - Animal Farm (either version) * |
G Laurie |
Musical Pages |
Eight Studies for the Beginner Accordionist No 5 |
R Wright |
Charnwood |
Eight Studies for the Beginner Accordionist No 7 |
R Wright |
Charnwood |
Hot and Cold |
H Hinchcliffe |
Charnwood |
Light and Dark |
H Hinchcliffe |
Charnwood |
Lo - Preliminary Accordion |
H Hinchcliffe |
Charnwood |
Nemo - Primary Course for Accordion |
F Wright |
Charnwood |
Oranges and Lemons - Primary Course for Accordion |
F Wright |
Charnwood |
Polly Put the Kettle On - Primary Course for Accordion |
F Wright |
Charnwood |
Push N Bucks - Preliminary Accordion |
H Hinchcliffe |
Charnwood |
Rosies Waltz - Preliminary Accordion |
H Hinchcliffe |
Charnwood |
Sur Le Pont- Primary Course for Accordion |
F Wright |
Charnwood |
The Small Snowman |
G Laurie |
Musical Pages |
When the Saints - Preliminary Accordion |
H Hinchcliffe |
Charnwood |
* These pieces are suitable for Free Bass Accordion |
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Sight Reading (10 marks)
To locate single notes on the treble keyboard, written as semibreves, natural notes only, ranging from middle C to G above the stave.
To play a rhythm-pattern on one note, treble keyboard only, containing crotchet, minim and semibreve notes in 4/4 time only.
Aural Tests (10 marks)
To state which is the higher in pitch of two notes sounded in succession.
To state which is the longer in value of two notes sounded in succession.
To clap a time-pattern after it has been given twice.
To sing, hum or whistle a note played twice by the examiner (range - middle C up to clef-line G)
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Sight Reading and Arpeggios (20 marks)
To play two octaves, ascending and descending, on the treble keyboard:.
The major scales and arpeggios of C.
To play one octave, ascending and descending, on the treble keyboard
The major scales and arpeggios of G, D and F.
(Approx. tempo: MM = 66, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
A Little Game |
H Benton |
Charnwood |
A Pleasant Memory - Young Player Bk 1* |
E Harris |
Charnwood |
Applecore |
D Ward |
Charnwood |
Avenues - Musical Routes |
D Ward |
Charnwood |
Banana Split |
H Benton |
Charnwood |
Chit Chat * |
G Brannelli |
Charnwood |
Crab Cakes |
D Ward |
Charnwood |
Crackpot |
D Ward |
Charnwood |
Dandy Waltz |
D Ward |
Charnwood |
Evensong at St Andrew's - Musical Moments from the Yorkshire Dale's * |
H Hinchcliffe |
Charnwood |
Gay Galop - Little Dance Suite |
G Romani |
Charnwood |
Lullaby - Two selected pieces |
L A Grace |
Charnwood |
Mini Mo * |
H Benton |
Charnwood |
Musette - Accordion Progression Book 1 |
J Draeger |
Helbling |
Picking Edelweiss - Tyrolean Sketches |
K Broadhead |
Charnwood |
Puffing Billy |
R Wright |
Charnwood |
Romantic Moon- Mainly Under the Fingers |
f. Parnell |
Charnwood |
Scoobie |
T Fraser |
Charnwood |
Sleigh Bells |
G. Laurie |
Musical pages |
Spring Cuckoo - Mainly under the Fingers |
f. Parnell |
Charnwood |
The Cracoe Waltz - Musical Moments from the Yorkshire Dale's |
H Hinchcliffe |
Charnwood |
The Dancing Bear * |
G Brannelli |
Charnwood |
The Hellifield Polka - Musical Moments from the Yorkshire Dale's |
H Hinchcliffe |
Charnwood |
The Princess Waltz |
H Benton |
Charnwood |
Withybrook Waltz * |
L A Grace |
Charnwood |
Windmill Waltz |
R.Wright |
Charnwood |
* These pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards - with hands moving separately simple passages of approximately 8 bars in 2/4, 3/4 and 4/4 time, using semibreve, dotted minim, minim and crotchet notes only. These will use the first five notes of the major scales of C & G (treble) and C, G, and F bass notes and major chords written without chord symbols.
Aural Tests. (10 marks)
To state which is the higher in pitch of two notes sounded in succession.
To sing, hum or whistle a note played twice by the examiner (range Middle C up to Treble Clef line G)
To clap or tap a time-pattern of a simple melody of four bars in length after it has been played twice by the examiner, and to state whether it is in Simple Duple or Simple Triple time.
To recognise a rhythmic change in a two-bar phrase played twice by the examiner, with the change being made in the second playing. Candidates will be required to recognise and tap or describe the change.
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Scales and Arpeggios. (20 marks)
To play two octaves, ascending and descending, on the treble keyboard:
The major scale and arpeggio of C.
To play one octave, ascending and descending, on the treble keyboard:
The major scales and arpeggios of D, F and Bb.
The minor scales and arpeggios of A, E and D (harmonic or melodic at candidates choice).
To play one octave, ascending and descending, on the bass keyboard
The major scales and arpeggios of C, G and F.
(App. tempo: MM = 76, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
A Cool Thing |
D Ward |
Charnwood |
A Merry March -Young Player Vol 2 |
E Harris |
Charnwood |
Abbadabba One |
D Ward |
Charnwood |
Alpine Yodel - Young Player Vol 2 |
E Harris |
Charnwood |
Autumn Evensong - Mainly under the Fingers * |
F Parnell |
Charnwood |
Bolton by Bowland Reel - Musical Moments from the Yorkshire Dale's |
H Hinchcliffe |
Charnwood |
Carribean Holiday |
F Da Caprio |
Charnwood |
Chucky Ducky Polka |
K Broadhead |
Charnwood |
Doubly Bubbly |
D Ward |
Charnwood |
Easdale Waltz |
J F MacIntyre |
Charnwood |
Gateway to the Dales - Musical Moments from the Yorkshire Dale's |
H Hinchcliffe |
Charnwood |
Joy - Mainly under the Fingers |
F Parnell |
Charnwood |
Jumping Bean Polka |
K Broadhead |
Charnwood |
Miniature March |
L A Grace |
Charnwood |
Minuet * |
Bach / Benton |
Charnwood |
Minuet and Trio - Mainly under the Fingers |
F Parnell |
Charnwood |
Petite Concert - Accordion Progression Bk 1 |
J Draeger |
Helbling |
Petite Blue Waltz |
F Parnell |
Charnwood |
Pony Trot * |
F Parnell |
Charnwood |
Royal Gavotte |
G Romani |
Charnwood |
Springtime March |
G Romani |
Charnwood |
String of Pearls * |
F Da Caprio |
Charnwood |
Sweet Lavender Waltz |
D Smith |
Charnwood |
Swiss Miss |
F. Dunn |
Charnwood |
Tartan Ribbons |
K Broadhead |
Charnwood |
Up and down the Stairs |
G. Laurie |
Musical Pages |
* these pieces are suitable for Free Bass accordion |
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Sight Reading. (10 marks)
To play on both keyboards, with hands moving separately simple passages in 2/4, 3/4, and 4/4 time, using accidentals F#, C#, and Bb (treble) in five finger position and C, G, D and F (bass) notes and major chords written without chord symbols.
Aural Tests. (10 marks)
To sing, hum or whistle a sequence of three diatonic notes played twice by the examiner in a major key, the tonic chord first having been sounded
To identify the interval sounded above the tonic of the major scale as the 2nd, 3rd, 4th, or 5th degree. The tonic chord will be sounded first.
To clap or tap a time-pattern of a simple melody of four bars in length after it has been played twice by the examiner, and to state whether it is in Simple Duple or Simple Triple time.
To recognise a rhythmic change in a two-bar phrase played twice by the examiner, with the change being made in the second playing. Candidates will be required to recognise and tap or describe the change.
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Scales and Arpeggios. (20 marks)
To play two octaves, ascending and descending, on the treble keyboard:
The major scales and arpeggios of G, A, Bb and Eb.
The minor scales and arpeggios of A, E and D (harmonic or melodic at candidates choice).
To play two octaves, ascending and descending, on the bass keyboard:
The major scales and arpeggios of G and D.
To play one octave, ascending and descending, on both keyboards together
The major scale and arpeggio of C.
(App. tempo: MM = 88, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
Cargen Lodge |
G Laurie |
Charnwood |
Cher Amis |
K Broadhead |
Charnwood |
Clog Dance |
K Broadhead |
Charnwood |
Evening Calm - The Young Player Vol 2 * |
E Harris |
Charnwood |
Gallant Gavotte |
D. Smith |
Charnwood |
Greensleeves |
H. Hinchcliffe |
Charnwood |
Gruss Aus Wien |
G Crossman |
Charnwood |
Heidi |
W Farran |
Charnwood |
Kevana |
K Harling |
Charnwood |
Kindermarsch |
F Wright |
Charnwood |
Miss Yvonne Laurie |
G Laurie |
Charnwood |
Musette Musicale |
K. Harling |
Charnwood |
Naughty Monkey |
D Ward |
Charnwood |
Petite Suite * |
G Vasco |
Kestrel |
Ragamuffin |
F Parnell |
Charnwood |
Romance - Accordion Progression Book 1 |
J Draeger |
Helbling |
Song without Words - Young Player Vol 2 |
E. Harris |
Charnwood |
Strathspey – Glenlogan |
E Lusk |
Charnwood |
Sweet Coffee Samba |
E Lusk |
Charnwood |
Swinging Safari |
F. Parnell |
Charnwood |
The Cuckoo Clock Polka |
K Broadhead |
Charnwood |
Timeshare |
K Farran |
Charnwood |
Tyrolean Breezes |
G. Romani |
Charnwood |
Tyrolienne Masquerade |
K.Harling |
Charnwood |
Valse Continentale |
G Romani |
Charnwood |
* these pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards together Simple passages of about eight bars, in simple time, in C, G, D and F majors.
Aural Tests. (10 marks)
To sing, hum or whistle a sequence of four notes played twice by the examiner in a major key, the tonic chord first having been sounded.
To clap or tap a time-pattern of a melody of four bars in length after it has been played twice by the examiner, and to state whether it is in Simple Duple or Simple Triple time.
To identify the interval sounded above the tonic of the major scale as the 2nd, 3rd, 4th, or 5th Degree. The tonic chord will be sounded first.
To recognise a rhythmic or melodic change in a four-bar phrase played twice by the examiner, with the change being made in the second playing. Candidates will be required to recognise and tap, sing or describe the change.
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Scales and Arpeggios. (20 marks)
To play two octaves, ascending and descending, on both keyboards together: The major scales and arpeggios of C, D and Bb.
To play two octaves, ascending and descending, on the treble keyboard:
The minor scales and arpeggios of A, B and G (harmonic or melodic at candidates choice).
The chromatic scale beginning on C.
To play one octave, ascending and descending, on the bass keyboard: The minor scale and arpeggio of A (harmonic or melodic at candidates choice)
. (App. tempo: MM = 104, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
Accordion Tarantella |
P Towse |
Charnwood |
Alpine Swallows |
D Watson |
Charnwood |
Asdfghjkl |
D Ward |
Charnwood |
Bella Maria - 5 Divertiment for Accordion |
F Wright |
Charnwood |
Belle Sourire |
K Broadhead |
Charnwood |
Cavalleta |
K Broadhead |
Charnwood |
Exaggeration Waltz |
D Ward |
Charnwood |
Fete Villegeois |
F Parnell |
Charnwood |
Hochzeit Landler |
B Maroc |
Charnwood |
La Vida Brava |
S Coppard |
Charnwood |
Louise (Valse Musette) |
H Hinchcliffe |
Charnwood |
Mazurka Capricco |
F Parnell |
Charnwood |
Mon Petit Enfant |
G Laurie |
Musical Pages |
Morgenrote - Album fur die Jugend * |
A Schmykow |
Schmulling |
Musette Facile |
F. Wright |
Charnwood |
Picnic Time in Bavaria |
G Romani |
Charnwood |
Polka Italienne |
J. Blair |
Charnwood |
Postlude - Work & Play Book 2 * |
G Romani |
Charnwood |
Tango Di Eva-Lena |
G Laurie |
Musical Pages |
Tanz der Engel - Album fur die Jugend * |
A Schmykow |
Schmulling |
The Helter Skelter |
W Farran |
Charnwood |
The Merry Musicians |
G Romani |
Charnwood |
The Wizards' Waltz |
S Coppard |
Charnwood |
Valse Folklorique |
J. Draeger |
Helbling |
Waltz for Wendy |
K Farran |
Charnwood |
You & I |
E Lusk |
Charnwood |
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* these pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards together simple passages in Simple or Compound time (6/8 only) in major Keys ranging from two sharps to two flats.
Aural Tests. (10 marks)
To sing, hum or whistle a short melodic phrase played twice by the examiner in a major key, the tonic chord first having been sounded
To sing, hum or whistle the upper or lower note of a consonant interval played harmonically.
To state whether a melody played twice by the examiner is in Simple Duple, Simple Triple or Simple Quadruple time.
To identify the interval sounded above the tonic of the major or minor scale as the 2nd, 3rd, 4th, or 5th. Degree. The tonic chord will be sounded first.
To recognise a rhythmic or melodic change in a four-bar phrase played twice by the examiner, with the change being made in the second playing. Candidates will be required to recognise and tap, sing or describe the change.
Scales and Arpeggios. (20 marks)
To play two octaves, ascending and descending, on both keyboards together:
The major scales and arpeggios of C, G, A, E, F and Eb.
The minor scales and arpeggios of A, E and D (harmonic or melodic at candidates choice).
To play two octaves, ascending and descending, on either keyboard separately:
The chromatic scale beginning on C.(App. tempo: MM = 108, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
Abend in der Puzta |
W.Bernau |
M Hohner |
Andantino * |
Kozeluh / Bishop |
Charnwood |
Chevaux de Bois |
K Broadhead |
Charnwood |
Chiquita (Paso Doble) |
F. Wright |
Charnwood |
Corinne |
C Camilleri |
MAP |
El Choclo (Tango) |
Villodo / Romani |
Charnwood |
Florita |
R. Willis |
Charnwood |
Iain Crichton of Lewis - 7 original Scottish Compositions |
G Laurie |
Musical Pages |
Julie |
J Hangar |
Charnwood |
La Poupee de Valse |
F Caprio |
Charnwood |
Las Fallas |
G Crossman |
charnwood |
Lynnette |
C Pasby |
Charnwood |
Marcha Espanola |
G Crossman |
Charnwood |
Moonshadow |
D Ward |
Charnwood |
Morris Minor |
D Ward |
Charnwood |
Mrs Iris Laurie - 7 original Scottish Compositions |
G Laurie |
Musical Pages |
Nice N Easy |
E.Lusk |
Charnwood |
Omaggio a Bach |
J. Oppenheimer |
Berben |
Paris Accordeon |
A Delroy |
Charnwood |
Partita Piccola mvt 2* |
T Lundquist |
M Hohner |
Pavements of Paris |
K.Harling |
Charnwood |
Pink Panthers Brother - Album fur die Jugend * |
A Schmykov |
Schmulling |
Seven over Eight |
D. Ward |
charnwood |
House of Fun |
S Coppard |
Charnwood |
Upside Down Polka |
D Ward |
Charnwood |
Valse Classique |
G Romani |
Charnwood |
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* these pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards together pieces in keys up to and including three sharps or three flats.
Aural Tests. (10 marks
To sing, hum or whistle one, or all in succession, of three notes played harmonically. These will form major or minor chords in root position.
To state whether a melody played twice by the examiner is in Simple Duple, Triple or Quadruple time
To identify any degree of the major or harmonic minor scale after the tonic chord and the tonic note have first been sounded.
To identify certain features of a piece played by the examiner. The features will be confined to contrasted dynamics, change in tone, articulation, recognition of tempo changes and recognition of major and minor tonality, of which the examiner will select one or two and advise the candidate accordingly before playing the piece. Candidates are encouraged to use Italian terms in their answers where appropriate.
Scales and Arpeggios. (20 marks)
To play two octaves, ascending and descending, on both keyboards together:
The major scales and arpeggios of D, E, Bb and Ab in similar motion and of C in contrary motion.
The harmonic minor scales and arpeggios of A, B and G.
The melodic minor scales and arpeggios of A, E and D.
The chromatic scales on C.
(App. tempo: MM = 112, two notes per beat). Touch: legato or staccato, as requested.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo |
Abacus |
D Ward |
Charnwood |
Anastasia |
Wendy J Farran |
Charnwood |
Ballet of the Puppets - Album fur die Jugend * |
A Schmykov |
Schmulling |
Brasileria |
G Crossman |
Charnwood |
Brief Prelude |
Graham Romani |
Charnwood |
Caister Capers |
K Farran |
Charnwood |
Cavalina Mia |
G Crossman |
Charnwood |
Czardas Roumaine |
Henry Minay |
Charnwood |
Das Spiel Der Drehorgak * |
A Nagajew |
Schmulling |
Festival March |
F Wright |
Charnwood |
Into the Spice Market |
D Ward |
Charnwood |
L’Arc en Ciel |
K Broadhead |
Charnwood |
Romance - Romance & Rondo * |
G Romani |
Bosworth |
Rondo alla Zingarese |
F Parnell |
Charnwood |
Serenata |
Toselli / G. Romani |
Charnwood |
Song of Rest * |
T Pitfield |
Charnwood |
Sunset Tango |
K Broadhead |
Charnwood |
The Magic Carpet |
K Broadhead |
Charnwood |
Valse Angelique |
G Romani |
Charnwood |
Valse Romantique |
G Romani |
Charnwood |
Zigeuner Suite Mvts 2 &3 |
W.Bernau |
M Hohner |
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* these pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards together pieces in keys up to and including three sharps and three flats.
Aural Tests (10 marks)
To sing, hum or whistle one, or all in succession, of three notes played harmonically. These will form major or minor chords in root position or either inversion.
To state whether root position triads are major, minor, diminished or augmented.
To recognise root position cadences in major or minor keys as perfect or plagal.
To identify certain features of a piece played by the examiner. The features will be confined to contrasted dynamics, change in tone, articulation, recognition of tempo changes and recognition of major and minor tonality, of which the examiner will select one or two and advise the candidate accordingly before playing the piece. Candidates are encouraged to use Italian terms in their answers where appropriate.
Scales and arpeggios. (20 marks)
To play two octaves, ascending and descending, on both keyboards together:
In similar and contrary motion, the major scales and arpeggios of A, B, F#, F, Ab and Db.
In similar motion, the harmonic minor scales and arpeggio of E, F#, D and C.
In similar motion, the melodic minor scales and arpeggio of B, C#, G and F.
In similar motion, the chromatic scales on C, D and Bb.
(App. tempo: MM = 126, two notes per beat). Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo.
Allegro |
Fiocco / Carter |
Charnwood |
Bel Viso |
P Frosini |
MAP |
Bouree Musette & Sombre Saraband - Work & Play 111 |
G Romani |
Charnwood |
Czardas |
F Fugazza |
MAP |
Espana (Bellows shake optional) |
Waldteufel / Romani |
Charnwood |
Fantasie in la Minore |
F Da Caprio |
Charnwood |
Flight of the Bumblebee |
Korsakov / Romani |
Charnwood |
Hellzapopping |
L Fancelli |
Berben |
Le Coucou |
Daquin / Romani |
Charnwood |
Rhapsidium for a Rainy Day |
D Ward |
Charnwood |
Romanesque |
A Delroy |
Charnwood |
Russian Dance |
G Schenderjow |
Schmulling |
S’il Vous Plait - Album No 1 * |
A Piazzolla |
Universelles |
Sonata in F minor, K69, L382 * |
D Scarlatti |
Peters Edition |
Spanish Gypsy Dance |
Marquina / Crossman |
Schauer & May |
Subterfuge |
D Ward |
Charnwood |
Suite pour Enfants - No 1 Mvts 1, 2 & 5 * |
V Zolotaryov |
Schmulling |
Suite pour Enfants - No 2 Mvts 1 & 3 * |
A Nagayev |
Schmulling |
Summertime |
G Gershwin / J Emblow |
Cheltone Music |
Valse Acrobatique |
G Crossman |
Charnwood |
Vive Musette |
A Delroy |
Charnwood |
* these pieces are suitable for Free Bass Accordion |
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Sight Reading. (10 marks)
To play on both keyboards together pieces in keys up to and including four sharps and four flats.
AAural Tests. (10 marks)
To sing, hum or whistle one, or all in succession, of three notes played harmonically. These will form major or minor triads in root position or either inversion and to state the position of each chord played.
To state whether triads played on the treble keyboard are major, minor, diminished or augmented.
To state whether root position cadences in major or minor keys are perfect, plagal, imperfect (I-V, IV-V only) or interrupted. The tonic chord will be sounded before each cadence.
To answer questions on the features of a piece played by the examiner, including the general perception of form, texture and style, of which the examiner will select one or two and advise the candidate accordingly before playing the piece. Candidates will be expected to use Italian terms in their answers where appropriate.
Scales and arpeggios. (20 marks)
To play two octaves, ascending and descending, on both keyboards together:
In similar and contrary motion, the major scales and arpeggios of G, E, F#, F, Ab and Db.
In similar motion, the harmonic minor scales and arpeggio of B, C#, G, F and Bb.
In similar motion, the melodic minor scales and arpeggio of E, F#, G#, D and C.
In similar motion, the chromatic scales on F, Ab and E.
(App. tempo: MM = 138, two notes per beat).
Touch: legato or staccato, as requested by the examiner.
Pieces (20 marks each piece)
Candidates must select THREE pieces from the following List.
Candidates must present a balanced programme of their choice of the three pieces.
The programme must show a range of contrast in Style, Character and Tempo
Acquarelli Cubani |
L Fancelli |
Berben |
Adios Nonino |
Piazzolla / Guzzini |
Berben |
Bats at sunset |
P Frosini |
MAP |
Boutique Overture |
D Ward |
Charnwood |
Classical Sonatina Mvts 1 & 2 |
G Romani |
Charnwood |
Czardas |
V Monti |
Ricordi |
Dance Orientale |
F Fugazza |
MAP |
Danza Di Gnoma |
F Fugazza |
Berben |
Impressions of Spain (Zapeteado, Cumbia & Paso Doble only) |
G Barton |
Charnwood |
Jota * |
W Jacobi |
Charnwood |
Largo al Factotum |
Rossini arr C. Bishop |
Charnwood |
Pasacaglia (FB or SB) * |
Handel arr Tollefsen |
Kestrel |
Prelude & Fugue In A minor |
G Barton |
Charnwood |
Preludio |
A Volpi |
Berben |
Sonata in D, K288, L57 * |
Scarlatti |
Peters Edition |
Sonatina Piccola * |
T Lundquist |
M Hohner |
Suite for Accordion * |
A Hovhaness |
Peters Edition |
Toccata |
A Repnikov |
Schmulling |
Vivo |
J Gart |
MAP |
Weeping Willow and Thistle - Botany Play * |
T Lundquist |
Waterloo |
Wind in the Reeds & Chorale Meditato from Work & Play Vol 3 |
G Romani |
Charnwood |
* these pieces are suitable for Free Bass accordion |
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Sight Reading. (10 marks)
To play on both keyboards together, pieces in keys ranging from five sharps and five flats.
Aural Tests. (10 marks)
To sing, hum or whistle an answering -phrase of four bars after a fore-phrase has been given twice by the Examiner, preceded by the tonic chord.
To state whether triads played on the treble keyboard are major, minor, diminished or augmented.
To state whether root position cadences in major or minor keys are perfect (V-I, V7-I), plagal, imperfect (I-V, II-V, IV-V or VI-V) or interrupted. The tonic chord will be sounded before each cadence.
To answer questions on the features of a piece played by the examiner, including the general perception of form, texture and style, of which the examiner will select one or two and advise the candidate accordingly before playing the piece. Candidates will be expected to use Italian terms in their answers where appropriate.
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